It is in the relationship between the physical and unpalpable that truth appears. Viewer and photographer project themselves onto the image, creating a photographic language that is political and exists outside the photograph itself, in the present. Slide 1 Slide 1 (current slide) Slide 2 Slide 2 (current slide) Slide 3 Slide 3 (current slide) Slide 4 Slide 4 (current slide) Slide 5 Slide 5 (current slide) Slide 6 Slide 6 (current slide) Slide 7 Slide 7 (current slide)